![]() ![]() The movie, adapted from Stephen King’s short story of the same name, has generated $24.7 million domestically and $39.6 million globally to date.Genetic and biological research on the new species was published in the Journal of Arachnology on March 15. In fifth place, “The Boogeyman” added $6.9 million from 3,205 theaters, marking a 46% decline from its debut. So far, the comic book adventure has grossed $335 million in North America and $805 million worldwide, which is above the original 2014 “Guardians of the Galaxy” ($333 million domestically, $773 million worldwide) but below the 2017 sequel ($389 million domestically, $863 million worldwide). 4 spot with $7 million from 3,175 venues in its sixth weekend on the big screen. (Yes, that’s considered “floundering” for a movie that cost $250 million.) At one point, there was hope “The Little Mermaid” would near the $1 billion mark after a disappointing turnout overseas, it’ll be lucky to hit $500 million. But the big-budget film has been struggling at the international box office, where ticket sales have been floundering with $185 million. After three weeks of release, the live-action remake is swimming along with $228 million at the domestic box office. In third place, “The Little Mermaid” added $22.8 million from 4,320 theaters, declining 46% from the weekend prior. It now stands as Sony’s highest-grossing animated release in history.Įlsewhere at the box office, three holdovers from Disney rounded out the top of North American charts. Over the weekend, the superhero follow-up surpassed the entire domestic and global tallies of its predecessor, 2018’s Oscar-winning “Into the Spider-Verse,” which ended its box office run with $190 million in North America and $384 million worldwide. Overseas, “Rise of the Beasts” ignited to $110 million from 68 markets, boosting its global total to $170.5 million.Įven in second place, there’s still plenty to celebrate for “Spider-Verse,” which is already a huge theatrical winner with $226 million domestically and $390 million globally after 10 days in theaters. Prior “Transformers” films have earned as much as 70% of overall box office returns outside of the U.S. It’ll need to resonate at the international box office to justify that hefty price tag. and starring Anthony Ramos and Dominique Fishback, cost $200 million. Only James Bond lives forever.”īut the tentpole, directed by Steven Caple Jr. “Episodes six and seven are where action series either find new creative energy and extend their run (‘Mission: Impossible,’ ‘Fast & Furious,’ ‘Planet of the Apes’) or start winding down (‘Terminator,’ ‘Predator’). Gross, who runs the movie consulting firm Franchise Entertainment Research. ![]() “The jump above the previous film’s opening is excellent,” says David A. Reviews for “Rise of the Beasts” were mixed, but audiences embraced the film with an “A-” CinemaScore. ![]() That’s been a concern because the more recent chapters produced diminishing returns after softer starts. ![]() It’s an encouraging sign that Paramount’s 16-year-old action series isn’t yet running on fumes. Initial ticket sales for “Rise of the Beasts,” which is the seventh installment in the live-action “Transformers” franchise, were notably better than the prior two entries, 2018’s “Bumblebee” ($21.6 million) and 2017’s “The Last Knight” ($44.68 million). ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |